Omnipresent chronicler, he becomes the reporter of our society and aims, through his art, to imprint a gaze both critical and humorous. He is equally interested in the profusion, diffusion, and understanding of images. Synthetically, he blends cultures, eras, and references. Fernand Léger then rubs shoulders with Daisy, François Hollande, the Justice League.

Behind the quotation, pastiche, and derision, his works are imbued with a certain moral sense, a true political dimension. Contemporary allegory takes the lead. Provocative, Erró does not hesitate to desacralize tyrannical figures, to undermine the innocence of Disney characters. Despots confront heroes. A true anthropological puzzle, the images intertwine and form the guiding thread of his perspective on our society. The Vietnam War, the invasion of Iraq by the United States, the manipulation of despots, religion, sex: everything passes through the inquisitive gaze of the reporter.

​The composition, through the junction of graphic universes, is sometimes vehement but always playful. The visual impact blends diametrically opposed elements from a spatiotemporal perspective. Occasionally unsettling, these compositions cannot help but elicit a smile, sometimes nostalgic, sometimes humorous, from viewers who encounter them. Whether aiming to surprise or shock the audience, Erro's universe leaves no one indifferent. The interpretative frameworks multiply, making their understanding unique.